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Maharaels Fist

Ill show them. All of them. My tower shall pierce the heavens. And from it I will look upon Rhomeia and Tarquinnia and their spires and walls, pathetic in comparison. And they will marvel and seethe in envy, the shadow of my monument looming above their every thought. They will hail me and curse me, but their feeble words will never reach such heights. All will marvel in its glory...even the gods!   - Maharael Dagaris, The Silver Lord of Ainach -
    Many great cities possess monuments and towers by the dozen, works of the ambitious or inspired. Ainach however seems merely an extension of its tower. Maharaels Fist is Ainachs heart. Should it ever fall the city would wither and die. For Ainachs people it is blasphemy to even consider such thought.

Architecture


From the sprawling city of Ainach, Maharaels Fist springs forth in stark contrast to the land around it and pierces the heavens. The broad base where buildings have begun to scale its walls, the slums of the city fusing with ancient stone. Dozens of small towers and buildings sprouting from it, a sea of grass around an oaks mighty stem. Going upwards it slowly slims down, inclined circle built upon inclined circle, further and further into the skies. You may believe going on forever but the spire is cut jarringly at about 250 meters height. Jagged cuts mark the stone, the "roof" a mess of what remains of various floors, long since collapsed. Some parts have been repaired, the lightly coloured stone shining among the grey that is the towers outer shell.   The towers flanks are branded by massive scars, chunks of the wall torn out by some titanic force. Inside one finds a labyrinth of cut rooms and hallways, columns and stairways, walls repaired in various ways. In the centre a cylinder clad in white stone were an intricate lift system, designed by Vardanias greatest engineer, transports people and goods from the highest floor down into the deepest catacomb. It is one of four essential systems, needed to keep the tower alive: the water pipes bringing clean liquid from the city's aqueducts, the sewage draining the buildings waste and the heater keeping the inhabitants comfortable at all times. These systems are as ancient as they are complex and there exists an entire guild, solely dedicated to keeping them functional.   Closer to the top there is a mechanical floor. Here positioned are four dozen weapons, Rhomeian Strike Ballistae, capable of hitting targets at over 4 kilometres distance. They can break warships apart or raze entire formations in seconds. That plus hundreds of smaller scale defences make the tower impregnable. When threatened the people abandon the city and hide in the vast network of catacombs spreading from it.   From both inside and outside the tower gives a complicated view. Damaged structures, repaired components, many walls are still as when constructed. Stone scorched, covered in moss, bleached by the sun, coloured both by weather and human hand. Pictures painted and carved, art and graffiti and above the large entrance giving way toward the cities enormous market, the face of its builder, the name of this titanic structure written by stone of shining white. Throughout the ages the tower has changed shape and form, as various architects have been guided by the whims of Maharaels descendants. Work on the tower never seized over the course of 300 years, until the storm braught the dream to an end.   A picture of surreal yet calming beauty, of ancient history and pulsating life, ruined yet standing defiant. Maharaeal Fist stood over 2000 years, defying gods and man alike and will do so until the earth itself may swallow it.

History

It seems to be a fixture in our world that great movement only comes from the dreams of a few man and woman. Granted often foolish, arrogant, ambitious and downright idiotic...but grand dreams nonetheless.     - Vendrik Meran, Fist Scolar of the Archives of Tojara -
    A Dream among a Silver City   The city of Ainach, founded by Feran colonists sometime in the late 9th century DA, became a great centre of commerce under rule of the First Hegemony, which strove to weaken the stranglehold cities like Nurn and Sur held on trade into Vardania. Focusing on manufacturing, especially silverware and coinage, the city grew rich throughout the early 2nd millennium DA. It shook off Tarquinnian and Rhomeian rule and grew to become a powerhouse, its hold felt on all coasts of the world.   This was Maharaels time. Charismatic, brilliant and determined he brought Ainach to its zenith in power. But there was something else that drove him. He saw the ancient cities of Rhomeia and Tarquinnia, the tall spires, massive walls, sprawling cityscapes. He dreamed of leaving his mark on the world. A monument so awe inspiring and enduring that ten thousand generations would remember his name...     To reach the Sky   He gathered the greatest engineers, architects and builders in his court and in the summer of 1526 DA the work began in earnest. Through the sweat of ten thousand workers and Shemrin, the old and secret chemic component that allowed the Rhomeians and Vardanians to build spires hundreds of meters high, Maharaels dream rose day after day. Within 18 years it reached 200 meters high and continued to grow. Ruling from his ever soaring monument Maharael lead Ainachs fortunes for close to 60 years before dying at the age of 88. His ashes were imbedded into his tower's foundation.   His dream however continued to grow, floor by floor and over 200 years after his death stood at nearly 500 meters height. In time the entire government of Ainach had moved into the building: the bureaucrats, the various merchant guilds, the noble houses, the royal mint. One could easily say that all of Ainach sat within what had become known as Maharaels Fist, screaming his name to man and gods alike. In times of danger the whole city found refuge with its mighty walls and massive catacomb system. The tower stood against man and nature alike, an artificial mountain vulnerable only to time. Then came the storm...     Storms Wrath   In 1801 DA the Summer Coast was battered by a storm not seen in millennia. The gods it seemed wanted to wipe man from the earth. Between howling winds and crushing waves, the tower was struck by no less than ten thousand thunderbolts. And with a mighty roar the upper part of the spire broke, rushing to earth in a deafening roar. The building had lost nearly half its height and dragged thousands with it, among them the last members of house Gadaris.   In time the city recovered. Rule changed between various cadet clans and merchant guilds. The tower was repaired where possible, other parts torn down if deemed too unstable. While broken in half the spire still proved an impressive image, towering over the surrounding land. The city's heart still beats and while most of the higher nobility have left to settle in extensive villas in the countryside, the bureaucracy, the defence system, the mint, they all remain where placed two centuries before and have remained ever since.
Alternative Names
The Envy of the Gods
    Shemrin   A chemical mixture of grey-green colour and sludgy texture. A remnant of the Golden Age, it allows buildings to endure millennia of onslaught by wind and weather and helps architects fulfil their wildest dreams. Kept secret by the Rhomeian court only a handful of trusted architects and alchemists are allowed to know its components.     Abran   One of the greatest architects ever known. Build some of the most fascinating monuments one may find in Vardania. His friendship with the prince and fondness for a challenge led him to stear the towers construction. He spend the last 20 years of his life working on it. His ashes are embedded within the tower's foundation.  
Abran the Architect
    Silver   Ainach speciality lies in manufacturing, especially silver. Of the highest quality its coins are valid currency throughout the world and Ainachen Silverware is renowned for its quality and beauty.   The great mint takes up half a floor on three of the tower's levels. An intricate system of lifts, separated from the towers internal transport system, ensures a steady inflow of raw materials and brings the finished products to the tightly secured vaults below the tower.   Being a silversmith is regarded to be the most noble work one could find within Ainach. Training to be permitted to work as one takes years, becoming a worker within the royal mint a decade. A master has to dedicate his entire life toward his work. They´re knowledge and skill know no equal and to have one work for you is considered one of the greatest honours any ruler, be it king or emperor, may receive.  
The Tower in 1657 DA

Comments

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Feb 16, 2019 17:15 by Elias Redclaw

Very good article! I really like the amount of details and info you have put into this article. Certianly makes it very interesting to read. The description about the tower was beautiful and combined with the picture, reminded me of dark souls 3 a bit. As always , you manage to beautifully write articles through a masterful combination of storytelling and great worldbuilding at the same time. The grammar could use a bit improving at some parts but it isnt that big of a deal. Congratulations and keep up the great work!

Feb 17, 2019 17:36

I like the article. One small thing though: you once wrote "beuaty" instead of "beauty". I can't really ask any more questions because the article already covers most things. I also like the rich history that you gave the tower, with all its restructuring and repairing over time.

Feb 17, 2019 23:46 by R. Dylon Elder

Really good article man. Thanks for sharing it. Something I have noticed here is just how detailed you made it. It's incredible how you crammed so much into such a tiny space. I really like how it almost seems narrative like the whole article tells this story. Very nice. How I do have a small thing. Your text is a little small, this could be because I'm reading on mobile but it is small and each block of text blends together a bit and id suggest that maybe you go and break em up a tad or maybe justify them to help that. If its just me than disregard. lol good job.

Feb 21, 2019 22:49

Like I've told you, there are some visuals here that are very evocative and grand. It's a great article and it helps make me curious about other parts of the setting, particularly how the ruined tech-ish parts interact with the rest of the setting.   I like that you start it with a quote and an overview, too: but lets see..  

The great mint and workshops are located here. The city's bureaucracy and defence sit within it. The merchant guilds and great warehouses underneath...The tower is Ainachs heart, its mind. Should it ever truly fall, the city would...to the people it is blasphemy to even entertain such thought.
  This paragraph is a bit awkwardly structured as you begin with details before telling us anything about the tower.. And it doesn't really tell us much about the tower itself, other than that it is a government center. Nothing about it's general look - and not its name. It's definitely namedropping the tower here, I think :)  
Should it ever truly fall, the city would...to the people it is blasphemy to even entertain such thought.
  This sentence in particular could use some tweaking. I understand what you are trying to say, but I think you can say it in a more evocative way: we've seen that below in the other awesome bits of the article. :)  
From the sprawling city of Ainach, the tower springs forth in stark contrast to the land around it. You see it from miles away.
  Two things here: 1. I would consider replacing "the tower" (generic) for the name; make to specific this early :)   2. "You see it from miles away. " this is really an artistic choice and personal preference, but you don't use this sort of addressing-the-reader voice much elsewhere that I could see. If you want to keep it, you could lean into it, and if you don't, you can replace it with something more evocative like how the tower looms over the city and pierces the cloud.. etc. :)  
The broad base where the buildings have begun to scale its walls, cheap housing for the poor fusing with ancient stone.
  The first few sentences here start a little odd, though the visual I'm getting is superb. Maybe lengthen the sentences slightly to give each bit a bit more space to breathe.  
Looking inside one finds a labyrinth of cut rooms and hallways, columns and stairways, walls repaired in various ways.
  I'd consider cutting out the "Looking" and starting with just "Inside," instead. Also you could be a little more specific than "various ways"; are the repair crude? Are they of less technological sophistication? Is broken metal patched over with planks and rope, giving it all a ramshackle appearance?  
And in the centre a cylinder clad in white stone were an intricate lift system, designed by Vardanias greatest engineer, transports people and goods from the highest floor down into the deepest catacomb.
  As a general rule, I wouldn't start a sentence with "And".  
These systems are as ancient as complex and there exists an entire guild, solely dedicated to keeping them functional.
  "as ancient as they are complex", perhaps? :)  
A chemical mixture of grey-green colour and sludgy texture.
  Would the people in the world know it as chemical, or alchemical?  
it lets buildings endure millennia of onslaught by wind and weather and helps architects fulfil their wildest dreams.
  I'd consider something like "enables" or "allows" instead of "lets", but that may be personal preference. Also, how does it allow them to fulfil those wild architectural dreams, exactly?  
Kept secret by the rhomeian
  Upper case on Rhomeian?  
A picture of surreal yet calming beuaty
  beauty* :)   I'm out of time, so I have to leave off here. Hope you find it useful! Keep up the awesome writing!


Creator of Araea, Megacorpolis, and many others.