Asfaraba
"Beings made of pure emotion, that influence power over mortal brains in domains of their own."Asfaraba are a unique manifested entity, who are produced as a byproduct of mortal life, but also evolve alongside of it in a eternally locked symbiosis. These unique entities stand at nearly twenty feet tall in their true forms, with two sets of arms. The Asfaraba are one of many chosen races of Erosyan. The key ingredient to their creation is the existence of emotions. When the first primordial giants of Ye'Te'Veo came to be their emotional and mental energy would sometimes ripple out from them and become scattered in the void of creation. When a being as powerful as a Primordial Giant in the old days had an outburst of Rage, Joy, Sadness, or any other feeling on the vast spectrum of emotion-- that Cosmic emotional energy holds enough power to sometimes will something new into being; whether the God was aware of it or not. The very first Asfaraba who were born were born as a result of that emotional energy put forth by the gods. Yet the Asfaraba didn't simply come to be as identical beings. Each one of them would be born as a personification of the emotion responsible for creating them. For example; let's say a entity in the Dreamlands is feeling an extreme Rage might incidentally create an Asfaraba; not even by the God's design just completely by accident. All that anger and frustration; that raw emotion causes the Asfaraba to manifest. An Asfaraba that is born as a result of this extreme anger is going to be a nearly perfect manifestation of anger. It would be born angry, and would have a hard time feeling anything other than anger at least for the opening moments of its life. Conversely if an Asfaraba is born of total joy and happiness then it would be in a delighted manic happy like state near constantly. Regardless of which emotion spawned each individual Asfaraba, they are all entirely sentient beings capable of thought and expressing the entire spectrum of emotion even if they are predisposed to feel one emotion above all others. At first they may find it nearly impossible to control their emotions almost always defaulting back to the one that they were born of. This is called their core emotion. As beings made of extreme manifestations of emotion and immune to dying of old age they have dedicated countless years to learning mastery over their emotions and their emotional states. Each Asfaraba has a collection of masks to compensate that. The Masks are powered with psionics; made by elders of their culture- meant to dull their most extreme emotions within them. They are used as tools by young Asfaraba to help them express emotions other than their core emotion until eventually they achieve mastery; and more importantly control over themselves. Once their training is complete they no longer require the masks in order to regulate themselves however, the habit of swapping masks becomes deeply ingrained in them by the time they reach this point. As a result most of them just continue to use their masks for the remainder of their existence. By this point, the masks have become a part of the Asfarabian culture they've somewhat transcended their role as mere tools and become a symbol of status age and respect within the community. Asfaraba with a large collection of high quality masks for instance has likely been alive for a very long time, and they also demonstrate an understanding of the complex emotions that exist within each of them to the extent where the most subtle emotions can be expressed. Individuals meeting Asfaraba, for the first time they can seem rather unstable or manic. In reality that couldn't be farther from the truth. They just feel emotions in such a profound way; especially their core emotion, that it is actually to the benefit of those around them that they control of the maelstrom they feel within themselves with these masks. Young Asfaraba whom are created as a result of large concentrated amounts of mortal emotions (aka a good 80% of all Asfaraba) are usually born without access to support from the elders, and create their own courts in order to gather enough resources and power to fund creations of their own masks. This fact alone can usually breed resentment within their ranks towards the elder Asfaraba. Regardless however, Asfaraba can be as diverse as mortals as their feelings for other entities, but towards Mortals they tend to be more patient and mericful, even if they were born of an element like rage. Understanding the power they have held for the continuation of their species. A debt; one paid with patience of their presence in their domains.
Masked Monsters.
Asfaraba culture is centered around uses of emotional masks. Traditionally used as training wheels, these baubles serve for them to manage and understand emotions other than the one they were formed with.
Emotionally Based Looks. The visual looks of an Asfaraba are as vast as their being. They generally reflect the emotions that created them, and the experiences of those who did. Mortals who are grieving the loss of a elven queen so powerfully to spawn a Asfaraba may manifest as a elven-queen-looking entity. While large amounts of sick-minded humanoids enjoying the experience of a ravenous cannibal fairground may create a demented clown looking entity. Either way, they will have a few things that will make it obvious of their Asfarabaian nature. Four arms; and a bioluminescent set of markings, seeable in the pitch dark which contain iconography indicitive of their creation.
Emotionally Based Looks. The visual looks of an Asfaraba are as vast as their being. They generally reflect the emotions that created them, and the experiences of those who did. Mortals who are grieving the loss of a elven queen so powerfully to spawn a Asfaraba may manifest as a elven-queen-looking entity. While large amounts of sick-minded humanoids enjoying the experience of a ravenous cannibal fairground may create a demented clown looking entity. Either way, they will have a few things that will make it obvious of their Asfarabaian nature. Four arms; and a bioluminescent set of markings, seeable in the pitch dark which contain iconography indicitive of their creation.