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Mandielia (Man - dee - uh - lee - uh)

The Diminishing Domain

Written by Natsume Rune

❃゚。・*.゚.✮▹ Enter Wanderer ◃✮.゚.*・。゚❃

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❃゚。・*.゚.✮▹◃✮.゚.*・。゚❃

❃゚。・*.゚.✮▹ The World ◃✮.゚.*・。゚❃

A world holding only Humanity, untouched by the Magicks of the Storyverse, Mandielia is a quiet place secluded from most of the Worlds of Beings. More left to their isolation, it holds the supercontinent of Pangellah and the Waters of Wandering.

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❃゚。・*.゚.✮▹ The Landscape ◃✮.゚.*・。゚❃

Pangellah, the Veiled Land

The supercontinent of Mandielia, Pangellah holds all of the Beings of the World. Populated by only the Beings of Humanity, it holds nothing of the Magicks of the Storyverse. More peaceful and prospering, it is of little war and desolation, the Humanity relying on renewable resources to help with the advancement of science and progress.

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Bridgenolla, The Waters of Wandering

Holding the rest of the World with the endless expanse of oceans, Bridgenolla is where the unknown lies. Still not dominated by the Beings of Humanity, there are many people who tell tales of the Void and myths of waters that steal the souls of all who try to explore them, in search of new Lands.

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Flenard, the Town of Sorrow

Given over to the more forsaken parts of Pangellah, Flenard is a quiet Town on the outskirts of the Cities. Without much surprise or excitement, most of the people who stay within the Town are holding more to the hardships of progress and thriving. Many people keep to themselves, no one holding to the optimism of true connections. Soft whispers of tragedy and sorrow sit among the streets and homes of Flenard, the quiet decay sits deep within the Town.

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Emerald Wilds Manor, The House of Hauntings

Forsaken and abandoned, Emerald Wilds Manor is more of a remnant of a solid dwelling. Given to the elements and left to destroy itself, it is known for rumors of haunting and tragedy. Intimidating and dangerous, most who enter the Manor hold no intention of leaving.

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❃゚。・*.゚.✮▹ The Door

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❃゚。・*.゚.✮▹◃✮.゚.*・。゚❃

❃゚。・*.゚.✮▹ Muse's Notes

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Type
World

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Cover image: by Peter Herrmann

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