Tikijitoa - Ceremony of Ashes

“What happens if we die?” Tiala asked her mother Umija, crying.

A day earlier, her grandmother has never woken up again and was now lying on a deathbed surrounded by red fire glass, black stones and orange flowers of consolation.

"Grandmother's immortal soul is now with Banyulu and is being led by her into the realm of the dead. We will give her body to the fire tomorrow, because we were born from fire and through our ashes new life will arise - just like the ashes after a volcanic eruption.", Umija comforted her daughter.

Tiala's first brush with death at the age of eight. -


During Tozumto, the 7th month of the Layid solar calendar, the Layikani go to volcanoes or other fire-holy sites to commemorate the long-dead or to scatter the ashes of those who have passed into the afterlife in the past year.   Many families have their own set days when they make the journey to the volcanoes, but over the centuries it has become a tradition for the residents of towns or villages to set off together to see the volcanoes, because Tikijitoa is no a joyless celebration, rather the mourners are accompanied by Tikitebos with dancing and singing to honor the dead.

Origin

The first ceremonies of ashes took place during the Age of Enlightenment in the middle of the 3rd millennium BEC when high dignitaries of the Layikani were buried in this way.

The Layikani believe that the souls of the deceased are led by the sun goddess Banyulu, who is also dying, to the underworld beneath the volcanoes, from where they reach the realm of the dead and become immortal. But their bodies should burn into ash, like the fertile earth of volcanoes, so that the cycle of life can begin again.

  Even back then, the journeys were long and arduous, as the climbs to the volcanoes led over impassable terrain. In addition to the priestesses, followers of the dignitaries also took part in the commemorations. To make the climb easier, many of the travelers repeatedly sang songs.

In the coming years, this developed into the tradition of Tikitebos, a type of professional ceremonial dance and singing group that became an integral part of the ritual from the Age of the Ancestors around 3,000 BEC.


 

Wake among the Layikani by Blue Fairy 74 via Midjourney

Wake

After the death of a Layikani, the body is cleaned and wrapped in different colored linen cloths depending on the gender, age or title of the dead. Priestesses or princesses receive dark red scarves, all other women receive red scarves, girls up to puberty receive orange scarves, and men receive yellow scarves. All colors symbolize the fire to which the dead are returned. The eldest woman of the family says a prayer in honor of the scorched earth god Tozuwu and the aging sunset goddess Banyulu, and a one-day wake begins for boys and men, a two-day wake for girls and women, and a three-day wake for dignitaries.   The color of the funeral linen and the length of the wake also reflects the matriarchy on Layida and is due to the fact that only women can enter into the Spark symbiosis. The higher the position of the woman, the darker the color of the linen and the length of the wake is when she died, or, as the Layikani would say, the darker the fire burned within them.   During the wake, relatives and friends say goodbye to the deceased with small gifts. Offerings include flowers in red and orange tones, fire glass or lava stones, which are burned with the body after the wake.


 

Combustion

The burning is sacred and is carried out just outside the cities and towns by the mostly male Toasomu, the ash masters.

The Toasomu digs a larger hole and drills a deeper one in the middle so that lava can emerge from the ground and fill the hole. Then he places a fireproof metal coffin into which the body with the gifts was previously placed. Due to the heat, the metal coffin glows and the dead burn to ash except for a few bones.

The ashes are then collected in wonderful urns, usually lovingly designed by the families, and given to the family to take home until the ashes ceremony.

Ceremony of ashes

During Tikijitoa, families gather and carry the festively decorated urns, which have previously been draped on small palanquins, through the streets of cities and towns to the fire holy sites of their communities. The funeral processions are led by the Tikitebos, who honor the deceased with rhythmic drum beats and various dances and joyful songs.   After arriving at the fire-holy site, a priestess from the local Safambi order lights the sacred three flames of the three sun goddesses, which symbolize the circle of life. The eldest women of the families stand in a circle around the flames to open the urns and scatter the ashes in all directions.   The remaining bones are returned to the volcano's lava or other adjacent lava flows. The Layikani then share the food they brought with them to commemorate all their ancestors.

 
Ascent to the fireplaces in honor of the deceased by Blue Fairy 74 - Midjourney-Collage


Cover image: Rituals of the elemente fire by Blue Fairy 74 - Midjourney-Collage

Comments

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Jul 24, 2024 14:18

A lovely tradition. Seeing how different people handle grief and funerary rites is interesting. I like how the scarf colours symbolise the fire to which the dead are returned.

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Jul 25, 2024 08:16

Thank you for your lovely comment.

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Jul 24, 2024 17:20 by CoolG

This is just beautiful!

Explore the dark and mysterious Inferncenem, the bright and wonderful Caelumen or the magical and fantastical Ysteria   Have a good one!   Feel free to check out my Substack: CoolG's Awesome Worlds!   Join the Discord and chat with like-minded people!
Jul 25, 2024 08:17

Aww thank you so so much.

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Jul 24, 2024 23:39 by Dr Emily Vair-Turnbull

Beautiful tradition. I love the image of everyone singing as they head up to the volcano.   Is there a reason the length of wakes are different?

Emy x
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Jul 25, 2024 08:26

Thank you and also for your question: among the Layikani, only women can enter into the spark symbiosis, which is why the culture of the entire continent has developed into a matriarchal one. The higher the position of the woman, the darker the color of the linen and the length of the wake when they die, or, as the layikani would say, the darker the fire burned within them. I will add this to the article.

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Aug 6, 2024 22:38 by Secere Laetes

Sehr stimmungsvolle Tradition, die ins Bild der Kultur passt. Erinnert mich zudem ein wenig an eine Feuervariante des Día de Muertos wegen der guten Stimmung, der Tänzer und der Musik. Und habe gerade gesehen, dass du die eine Passage auf einen Kommentar hin hinzu genommen hast. Die lässt alles noch mal verständlicher erscheinen, auch wenn man zB nur diesen Artikel über die Layikani kennt.

Aug 7, 2024 15:37

Vielen herzlichen Dank, ja die Tradition wurde von einigen Bestattungsriten oder Gedenken an die Verstorbenen der irdischen Welt verschiedener Länder inspiriert.   Bezüglich der Ergänzung: der Autor kennt seine Welt und die Zusammenhänge und ich denke immer, na das wissen doch Deine Leser, aber Serukis hatte Recht. Es ist manchmal doch hilfreich, bestimmte Aspekte einer Kultur in weiteren Artikeln nochmals kurz zu erläutern, um vielleicht auch noch mal Zusammenhänge darzustellen oder zu begründen.

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Aug 7, 2024 20:22

This is a beautiful funeral rite - and the small details make it feel even more alive.

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Aug 8, 2024 19:17

Thank you ;).

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Aug 11, 2024 12:38 by Racussa

Langsam verstehe ich das Farbdesign der verschiedenen Teilwelten... Spannend hier fand ich die dunkleren Farben für die höheren Ränge, denn ich dachte immer, je heißer Feuer ist, desto heller wäre es. Die Zeremonien sind kulturell sehr stimmig, aber der Unromantiker in mir versucht sich grade vorzustellen, ob das mit den Verbrennungspfannen über Lavapools funktioniert, oder ob nicht am Ende das Fleisch ganz verkohlt an den Knochen bliebe? Und die Legierung des Metalls müsste ganz schön hitzebeständig sein (wie etwa Chrom, Osium oder Wolfram). Gut gefallen hat mir der Aspekt der Solidarität: Alle gehen dann gemeinsam auf den Vulkan, um die Asche zu verteilen und die Knochen hineinzuwerfen, da wird die Familie nicht allein gelassen.

The world is not enough.
Aug 11, 2024 17:41

Für das Farbdesign gibt es einen extra kleinen Artikel auf der Homepage, um den Leser darauf hinzuweisen. Aber wie Du würden es sicherlich die meisten auch ohne meine Hinweise verstehen :).   Danke für die realistischen Amerkungen aus der irdischen Welt. Was Feuermagie betrifft, habe ich noch nicht wirklich einen Plan, aber ich könnte mir durchaus vorstellen, dass in dieser Welt die Flammen, die dunkler brennen, auch heißer sind. Und was das Material betrifft, da lässt sich bestimmt was finden, denn ich muss Dir Recht geben. Es wäre kein schöner Anblick für die Hinterbliebenen, wenn man die Toten nicht richtig einäschern würde. Vielen herzlichen Dank - ich sollte das auf alle Fälle im Hinterkopf behalten ;).

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Aug 17, 2024 09:47 by Menatith

This article really evokes the sense of comfort that might come from adorning the funeral with so much beauty, plus the comfort that music and dance can give – I love the descriptions of the flowers and other gifts, the coloured scarves and the beautiful urns. But it still carries enough gravitas that the solemnity of death is not lost, which helps with evoking the very real sense of comfort.

Aug 17, 2024 11:21

Aww, thank you so much for your lovely comment, it really means a lot to me. It was important to me to honor the dead with deep respect, but at the same time to convey that it is part of the cycle of life and that every death also brings new life.

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Aug 20, 2024 04:22 by Deleyna Marr

There's a lot of richness to this ceremony that reflects brilliant world and culture building.

Deleyna
Aug 20, 2024 16:06

Wow this is such a lovely comment, thank you so so much, this means a lot to me.

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Aug 20, 2024 23:19 by Deleyna Marr

Well deserved! Some beautiful work here.

Deleyna
Aug 21, 2024 17:50 by Rin Garnett

It's nice to see a volcano being used in a more comforting tradition, rather than the more common human sacrifice trope. Always nice to see people at peace with their environment.

Aug 22, 2024 17:02

1,000 thanks for your kind words.

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Aug 29, 2024 19:40 by Nimin N

A beautifully written tradition - I adore the story snippet at the start with the new life born from fire symbolism. Having so many going together to the final ceremony at the volcano, while accompanied by music, song and dance, sounds so comforting.

Sep 3, 2024 16:26

Thank you so so much, I'm happy you liked it.

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Aug 30, 2024 01:08 by Kwyn Marie

Nice ceremony and ritual components. Do only select members of families make the journey, or is it done by everyone who wants to go?

Sep 3, 2024 16:33

Thank you - theoretically, anyone who knows that the ceremony is taking place could attend. However, the number of residents of a community who attend may depend on the fame of the deceased and the size of the town or community.

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Sep 12, 2024 08:06

Schön wie du gleich mehrere Themen hier verbunden hast, sowohl die Gedenkzeremonien and den Vulkanen, als auch die eigentliche Totenwache und Krematierung sind schön geschildert.
Mir gefällt auch das ein Metallsarg (eisen, Stahl Nickel oder Wolfram - oder etwas rein Elaqitanisches?) in Lava gesetzt dafür genutzt wird.
Beim Ursprungsmythos gefällt mir die leichte Ironie das der sterbende Sonnengott die Seelen UNTER die Erde begleitet, was aber schön durch den optischen effekt des Sonnenuntergangs erklärt wird.

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Sep 12, 2024 16:17

1.000 Dank dafür, dass Dir das Ritual gefällt.   Der Metallsarg wird wohl auch aus Ulaynjibi, einem feuerfesten Metall, bestehen, was ich jetzt erstmals in meinem Artikel für das Feuerlabyrinth ergänzt hab. Aber mehr weiß ich auch noch nicht darüber.   Ich gehe davon aus, dass es einige Kulturen gibt, in denen geglaubt wurde, dass die Sonne durch die Unterwelt geschluckt und am nächsten Tag wieder ausgespiehen wird. Ich habe zwar den Artikel zur dreigesichtigen Göttin noch nicht geschrieben, aber ich spiele mit dem Gedanken, dass die alte Sonnengöttin stirbt, durch die Unterwelt an den "Anfang" reisen muss und dort als jugendliche Göttin wiedergeboren wird.

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Sep 13, 2024 08:01

Die Reise der Sonnengöttin durch die Unterwelt erinnert an den Sonnengott Re im Alten Ägypten, auch dieser musste alt und geschwächt in der Nacht diese gefährliche Reise antretten... Da fragt man sich ob da auf der Erde etwas aus der Mesopothamischen (Exilanten) rüber geschwappt ist ^^

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Sep 13, 2024 13:00

Das wäre absolut möglich ;).

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