Tomb of Annihilation - Session 09
General Summary
The party explores the chamber. Under the 15' ceiling, among the white marble columns carved with geometric patterns, they find three nests made of branches, twigs, and animals’ bones. In each is a mewling juvenile pterafolk. Seven open portals lead to rooms carved into the rock.
After some discussion, Ixtli steps forward and runs through the nearest juvenile with the Blood Spear. Dolan, going to search the corpse of one the fallen adult pterafolk, is startled when it suddenly twitches and then staggers to its feet. The other three adult corpses also rise and attack.
Ixtli fails to dislodge the dead juvenile from his spear, so instead bites the nearest undead pterafolk, then delivers a roundhouse kick to its already battered head. Ndidi charges at another but misses the lurching creature. Chibuzo advances on the next, attacking with sword and spear. Dolan casts four magic missiles at the last, while Dunch swings at it with his axe, cleaving one of its wings from its body. The undead monstrosities retaliate with beak and claw, injuring Dolan, Chibuzo, and Ndidi.
Ixtli spears his opponent, then seizes its long beak in his jaws and rips its head from its shoulders. Chibuzo finishes the next with a slash of his sword and moves on to spear Ndidi's foe. A swing of Dunch's axe kills another, and the barbarian goes to aid Chibuzo. When the creature bites the ranger on the shoulder, Dunch retaliates with a mighty blow that chops its head off.
The columned chamber is quiet once more, save for the cries of the two infant pterafolk. After Ixtli finishes them, the group takes a short rest to recover and heal.
They start their explorations through the middle portal, to the southeast. Chibuzo activates the Gem of Brightness to illuminate a narrow rectangular room. The far wall is filled with niches, twelve across in four rows, some empty but most capped with stone. The left wall is carved with a representation of a female Marakuran warrior, while to the right stand four short pillars, each some three and a half feet tall, with sealed jars atop them. The niches are large enough for a body. Chibuzo and Dolan can read the Old Marakuran text inscribed on the stone caps and the pillars, which lists the names of kings and interleaving sets of dates. None of the names mean anything to Dolan, whose study of Marakuran history prior to this expedition was centred on the city of Mezro. He uses the Wand of Magic Detection but finds no trace of wizardry.
Chibuzo looks around the room. "These are the resting places of Marakuran kings," he proclaims gravely. "We should not disturb them."
They leave the room and move to the next portal to the right. In this smaller room, a stone the size of a person's head floats above a pool filled with yellowish liquid. From time to time, an arc of lightning runs across the stone's surface, and the room smells of a thunderstorm. A drop of the yellowish liquid has pooled at the bottom of the stone. A 5-foot-wide stone walkway extends 10 feet into the pool, stopping just short of the stone.
The stone and the pool both radiate magic. Dolan uses a twig from a pterafolk nest to dislodge the drop of liquid from the bottom of the stone, capturing it in an empty vial and removing it to the columned chamber. A test with flint and steel suggests it is not flammable. Dolan gestures and speaks a magic word, summoning a spectral floating hand to fill the vial with liquid from the pool. Examining the full vial, Dolan notes that the liquid appears to be of the same colour and consistency as the Potions of Clairvoyance they retrieved in the eagle village below, though those also appeared to contain a floating eyeball. From outside the room, he commands the hand to push the floating rock towards the exit; the stone moves slightly, but then there is a sudden flash of electricity and a popping sound. The hand dissipates, and the stone moves back into place.
They move on and enter the next portal to the right. The room within has the appearance of an armoury, with dozens of swords, yklwas, maces, and battleaxes racked on the walls. At the back of the room stands an 8-foot-tall stone statue of an armoured man with a regal countenance. His arms are crossed, one hand bearing a rod, the other a miner's pick, and the stone scales of his armour are carved to resemble feathers. The statue is flanked by two suits of armour that look to have been made from some kind of insect chitin. The weapons in the room, the two suits of armour, and the rod in the statue's hand all detect as magical.
The party stands outside the room, and Dolan summons his mage hand to pluck a short sword from the wall. As soon as he does so, the rod in the statue's hand flares with a continuing brilliant white light that fills the room. The hand carries the sword halfway to the exit, but then the weapon suddenly twists itself free. For a moment it hangs in the air, then moves forward to attack. Another short sword, two yklwas, and two battle axes rise from the walls to join it, and the two suits of armour come to life and clank forwards.
Ixtli pulls Dolan out of the archway and behind the others, but the sword flies overhead and swings at him anyway, though he dodges the attack. The other weapons similarly float out of the room and surround the party. A battle axe strikes Chibuzo in the back, and the yklwas injure Dunch and Dolan.
In fury Dunch attacks the nearest short sword, the impact of his axe denting the blade. Chibuzo casts a spell and moves with the force of the wind, spinning to attempt a spear thrust at a floating battle axe, then retreating to stand near a column in the centre of the room. Ixtli shatters with the Blood Spear the same sword that Dunch attacked, then turns and bites at the haft of the other floating axe.
Chibuzo races forward and stabs one of the hovering yklwas with his own, then cuts the enemy weapon to pieces with his short sword before retreating out of attack range again. Dolan casts a particle of flame at the remaining yklwa.
One of the axes slashes Ndidi; the other descends on Ixtli but he dodges out of the way, sparks rising from the blade as it hits the stone floor. Dolan evades the yklwa, and Dunch blocks an attack from the remaining short sword.
The two suits of armour attack, one of them striking Dunch with an armoured gauntlet. Ixtli defends himself from the other, then snaps the haft of the nearest axe with his teeth and delivers a spinning kick on one of the suits of armour.
Ndidi bites at the remaining axe, while her companion Chibuzo darts forward to slash the short sword before retreating again. Dunch attacks the same suit of armour as Ixtli; the chitin cracks at the force of his blow but the enchanted thing remains upright. Another burst of flame from Dolan hits the remaining yklwa and its smouldering remains fall to the floor.
Dunch is slashed by the short sword, and one of the suits of armour punches him in the face. When the other attacks Ixtli, Dunch retaliates with a blow that chops off its upper arm. At a thrust from Ixtli's spear, it collapses in pieces. He kicks the remaining armour, which strikes Dunch again with its gauntlets. Dolan casts Fire Bolt on the short sword with minimal effect.
The axe wounds Ndidi again; she bites back, but the weapon stays active. Chibuzo advances and stabs the remaining armour, adding the force of the wind to his blow, then brings his sword down on the empty helm. The armour crumples to the floor.
Ixtli splinters the haft of the axe between his jaws, and now only the short sword remains. Dunch rings his axe against the blade, then blocks its counterattack with his shield. Finally, Chibuzo strikes it with his own sword, and it shatters into pieces.
In the aftermath, Chibuzo heals the worst of his own wounds, and Dolan heals himself and Ndidi.
They move on to the last room to the right. The walls are lined with a dozen upright sarcophagi, surrounding a central sarcophagus lying on the floor. All are inscribed with more names and dates. The central casket bears the inscription: "Here lies Kwalu Mbalawa, first king of Mbala." Chibuzo is again reluctant to disturb the dead, and they move on. The brilliant light from the rod in the armoury is still shining as they pass by.
In the room just to the left of centre, ornate murals cover the walls, depicting six scenes:
- A man points at stars falling like tears from a deity-like figure in the sky. This aligns with stories known to Chibuzo and Dolan of the founding of Mbala. The first king of Mbala is said to have led his people to this place following a sign from the heavens, the fall of Ubtao's Tears.
- Men toiling in the mines uncover gold, gems, and strange, floating stones—the Tears of Ubtao.
- A man stands in armour that seems made or decorated with eagle feathers. This must be King Mbalawa, wearing a famous suit of armour he is said to have made.
- A woman bearing an axe kneels before a great serpent with a woman's face. Dolan thinks this could be Queen Ngozi, the first queen of Mbala, swearing fealty to Saja N'baza.
- Men and women bearing the symbol of the Kimbala battle with lizardfolk and unidentifiable monsters. This seems to depict the cult of Saja N'baza routing the Aldani from the place where Orolunga would be founded.
- A man in priestly robes weeps as the deity-like figure from the first mural—Ubtao—vanishes from the sky.