Also known as the City of the Dead, nearly half of this macabre settlement is covered in graves and buried mausoleums. Although not all cultures partake in the custom, much of Gylidd’s traditions involve taking long sojourns in solemn black wagons to bury the dead in Asheido’s graves rather than interring them elsewhere. In this deeply religious city, the devout of the gods of repose pledge to watch over the remains of those who lived well, while others who left debts unpaid to society may be temporarily revived through rites of punishment befitting their crime, forced to help defend Asheido for a specific length of time before finally being laid to rest. The Dead City’s Architecture impresses both the nigh immortality of worked stone, the intricate stonework of religious iconography from all of the pantheons, and fearsome statues of vigilant protectors — both living and unliving — that occasionally seem to move in the corner of one’s eye.
